Psych Approach to Othello Essay

Approach of W aguishiam Shakespeares Othello Jealousy is bred in doubts. When those doubts change into certainties, then the passion either ceases or turns absolute madness,- Francois De La Rochefoucauld. All people have the seed of jealousy inside them. yet, the doubts of cardinals self help grow the seed of jealousy. Othello was never what seemed to be a jealous man save when Iago led him to conceptualise Desdemona was universe unfaithful, Othello started to show his side of jealousy which last led to his self destruction.Othellos ego is sh accept through with(predicate) his indecisive decision and the wavering of his judgement. Othellos primaeval instincts take all all over consuming his ego and superego leading him to his d letfall. Finally, Othello superego prevails in his average decisions throughout the play. In William Shakespeares Othello, Othello starts off as a demythologized and moral contribution. As the play progresses, Othello becomes consumed by jealousy and he deteriorates resulting in his over recreateive ID and superego leading to his destruction.Othello appears as a unobjection able and intellectualable comp unrivalednt part from what the audience base see. His psyche is initially dimensiond and he does non seem uniform a typeface that would be despicable by Iago. Initaly, Othellos ego becomes visible when he get brought to court and Brabantio is charge Othello of witchcraft on his daughter Desdemona, to make her fall in have it off with him. Othello reacts calmly and says hold your hands, both you of my fight, i should have known it without a prompter. Whither will you that i go to answer this your charge. ( Shakespeare 1. 84-86 )Through the use of words, Othello is able to submit reason towards the court exhibit his prevailing ego. In addition, Othello once over again reveals his ego, when hes in the court and allows Desdemona to speak on his behalf, showing his reasonable and mature actions. Othello says, And til l she come as truly as to heaven I do confess the vices of my blood. ( Shakespeare 1. 3 124-125) Othello responds in lawfulness reasonably as he states his opinions rather than starting an argument. Therefore displaying his mightiness to control his ID like qualities.Finally, before Othello murders Desdemona, he experiences self conflict as he is trying to decide weather or non to act on this murder, thus displaying his ability to decipher between good and bad. overall Othello demonstrates his ego because no one is manipulating him in the offshoot of the play Othello is his own person, and his love for Desdemona is so strong that nothing is getting in the way. However this changes when Iago starts his lies into othello. Othello started off as the character that compassion could not shake but quickly his character took a turn for the worse and an immense character change occurred.Through out the middle of the play ID has overcome his character which ultimately causes his fallin g point. For instance, during the cash in ones chips acts of the play,Othello slaps Desdemona and says, d ugly. if that the earth could teem with womens tears, each drop she falls would prove a crocodile. Out of my slight. (Shakespeare 4. 1 231- ) His character looks horrific and this kind of violence was frown upon. Othello striking Desdemona shows his ID like qualities coming out and not being able to control his petulance at all times.Towards the end of Othello, after he questions Emilia on Desdemonas loyalty, Othello says to Desdemona, oh, ay as summer flies are in the shambles, That speed even with blowing. O thou weed, who art so lovely fair and smellst so sweet that the sense aches at thee, would thou hadst neer been born ( Shakespeare 4. 2 69-73 ) Othello is stating that Desdemona is unfaithful and wishes she was never born, nonetheless Othello has deep in thought(p) all of his moral and values through his commits caused by Iago. In addition, Iago dominates over Othell os psyche creating an ID behaviour by informing the idea that othello should kill his innocent wife.After Iago tells him about Cassio using the handkerchief this prevailed othello into killing him own naive wife, get me some poison Iago this night, ill not reason with her, lest her body and beauty unprovided my mind- this night Iago. (Shakespeare 4. 1 194-196) This demonstrates the ID behaviour for the reason that his desire overpowers his voice of restraint ultimately leading to him killing desdemona. Othellos id is fuelled by Iago since his paper and needs to not be seen as a watch are eventually more(prenominal) important to him than his own wife.In the last sense on the play Othellos ID developed even stronger into an active Id this is shown when othello walks into the room when Desdemona is sleeping in her wedding sheets. Othello begins to speak to himself to justify his reason to preform an immoral action, it is the cause, it is the cause my soul . ( Shakespeare 5. 2 1 ) Othello reputation is more essential to him because he is well liked in Cyprus ultimately leading him to killing Desdemona. Overall, Othellos ID grew stronger as Iago fabrications became more believable and agonistic upon him.Othellos strong conscience and internalized moral standards begin to take over Othellos ego and ID which results into his downfall. His sense of morals are processed in the play when his voice of restraint becomes predominate over his desires and reputation. This is seen in the beginning of the play when Othello removes Cassios rank in cyprus. Thy honesty and love doth cushion this matter, Making it light to Cassio. Cassio I love thee, but never more be office of mine ( Shakespeare 2. 3. 26-28), this is demonstrating his super ego because there is a slight voice of restraint when he says i love thee.In particular this proves his superego because although Cassios status is important it is the friendship between Cassio and himself that makes him finger g uiltiness. Eventually this leads to his superego becoming more existent when Iago begins to plot that Cassio and Desdemona are having an affair. Othello begins to take it however, he demands evidence showing his sense of right from wrong, .. i opine that thou art just and think thou art not, ill have some proof (Shakespeare 3. 3 392-394 ). His superego is shown because he is demonstrating that he has a sense of morals by telling Iago he will not believe it until he has proof.Although there might be slight truth on what Iago is saying he still believes his wife is faithful unless Iago provides him with the proof he needs because ultimately he does not want to believe that his wife would do such a thing. After killing his wife Desdemona, Othello realizes that he will never have her back again, he cant regain his ego which ultimately leads to his suicide. Before committing suicide othello states, . of one that loved not wisely, but to well. Of one not easily jealous, but being wroug ht, perplexed in the extreme. Of one whose hand. ( Shakespeare 5. 360-363) This eventually demonstrates his active superego because finally knowing the truth about Iagos lies developed a heavy guilt leading to his death. His superego becomes predominant over the others which is eventually bounteous as a neurosis. Othellos overactive superego is ultimately shown through his guilt of killing his wife since he now knows the truth of Iagos evil schemes. In the final analysis of William Shakespeares Othello, Othello starts of as a lucid and moral character but as the play progresses his ID and superego result in his own destruction.Othello begins to be consumed by jealousy which ultimately leads to his decline within himself. In the beginning of the play Othellos ego since is able to balance out his ID and superego. As the play continues on Othellos ID becomes essential to him through Iagos unethical lies, however at the end of the play it is his overactive superego and guilt that le ads to his suicide. William Shakespeare is trying to state that those who have an ego and are able to withhold themselves will ultimately be okay, but if individual allows others to alter them it will lead to a downfall within one, this is proven in Othello.